Beethoven: Violin Sonata, Op. 96 - Enescu: Violin Sonata, Op. 25

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Album Name Length Format Sample Rate Price
Beethoven: Violin Sonata, Op. 96 - Enescu: Violin Sonata, Op. 25 52:43 $17.98
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# Track Title Length Format Sample Rate Price
1 Violin Sonata No. 10 in G major, Op. 96: I. Allegro moderato 10:46 88/24 Album only
2 Violin Sonata No. 10 in G major, Op. 96: II. Adagio espressivo 7:14 88/24 Album only
3 Violin Sonata No. 10 in G major, Op. 96: III. Scherzo: Allegro 2:03 88/24 Album only
4 Violin Sonata No. 10 in G major, Op. 96: IV. Poco allegretto 8:53 88/24 Album only
5 Violin Sonata No. 3 in A minor, Op. 25, "Dans le caractere populaire roumain": I. Moderato malinconico 8:12 88/24 Album only
6 Violin Sonata No. 3 in A minor, Op. 25, "Dans le caractere populaire roumain": II. Andante sostenuto e misterioso 7:50 88/24 Album only
7 Violin Sonata No. 3 in A minor, Op. 25, "Dans le caractere populaire roumain": III. Allegro con brio, ma non troppo mosso 7:45 88/24 Album only

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THIS ALBUM DOWNLOAD FEATURES HIGH RESOLUTION COVER ART ONLY. LINER NOTES ARE NOT AVAILABLE.

This composition occupies a special place among Beethoven’s creations because it shows a unique quality: there is an Olympian elegance, a profound gentleness that pervades the entire work. Nowhere does Beethoven the earth shaker appear. Even the scherzo movement does not disturb this sustained thoughtfulness.

Violin and piano begin trading short thematic statements in quick exchange from the first notes of the first movement. Parallel arpeggios create a growing intensity. The middle section of the movement is characterized by abrupt modulations and an increased pace of exchanges. A striking procedure is the use of a seemingly interminable trill, nearly heart-stopping in its intensity.

The second movement, Adagio expressivo, one of Beethoven’s floating Adagios, is based on the compulsion of a slow intense bass movement. The serenity of this movement is not disturbed by elaborate decoration from both instruments. And this stillness is further emphasized by a fourteen measure repeating pedal point (nearly one fifth of the movement) which closes it. The Scherzo sustains the serious character of the entire work. The last movement begins not only with a quick alternation of themes between the violin and piano, but a soft and loud alternation, as well, which adds to the feeling of growing intensity. An interrupted rondo is the plan, but the interruptions are of a major kind: another sensuous adagio and a daring fugato lead to a presto outburst concluding the movement.

Reviews
Oh, what a breath of fresh air this is! An audiophile recording of real music that isn't bombastic, overblown, or high-powered. Imagine, if you can, a private recital in your own home by two consummate artists who play these works for their own delight as much as for yours. - Stereophile