Cabanilles: Keyboard Music, Vol. 2

Available in Audiophile 44.1kHz/24bit

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Album Name Length Format Sample Rate Price
Cabanilles: Keyboard Music, Vol. 2 1:18:41 $17.98
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# Track Title Length Format Sample Rate Price
1 Tientos: No. 65, Lleno, de quinto tono 06:14 44.1/24 Album only
2 Tientos: No. 109, De contras de octavo tono 04:08 44.1/24 Album only
3 Tientos: No. 126, De clarines de sexto tono 07:42 44.1/24 Album only
4 Versos: No. 61, Sobre Ave Maris Stella, de primero tono 01:40 44.1/24 Album only
5 Tientos: No. 4, Partido de mano derecha sobre Ave Maris Stella, de primero tono 08:28 44.1/24 Album only
6 Versos: No. 62, Sobre Ave Maris Stella, de primero tono 00:57 44.1/24 Album only
7 Tientos: No. 15, De falsas, de quinto tono 04:10 44.1/24 Album only
8 Tientos: No. 107, Partido de mano izquierda, de tercero tono 06:30 44.1/24 Album only
9 Versos: No. 230, - 01:23 44.1/24 Album only
10 Versos: No. 232, - 00:56 44.1/24 Album only
11 Versos: No. 257, - 01:04 44.1/24 Album only
12 Versos: No. 233, - 01:26 44.1/24 Album only
13 Versos: No. 262, Partido de dos bajos 02:25 44.1/24 Album only
14 Versos: No. 277, De ecos 01:24 44.1/24 Album only
15 Versos: No. 256, - 01:03 44.1/24 Album only
16 Versos: No. 286, - 01:01 44.1/24 Album only
17 Versos: No. 261, Partido de dos bajos 01:32 44.1/24 Album only
18 Versos: No. 267, - 00:54 44.1/24 Album only
19 Versos: No. 231, - 01:29 44.1/24 Album only
20 Tientos: No. 42, Partido de dos tiples, de cuarto tono 08:46 44.1/24 Album only
21 Tientos: No. 16, Lleno, de quinto tono 02:47 44.1/24 Album only
22 Tientos: No. 24, Lleno, de octavo tono 05:34 44.1/24 Album only
23 Pasacalles IV de quatro tono 02:21 44.1/24 Album only
24 Tientos: No. 10, Lleno, de tercero tono 04:47 44.1/24 Album only

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℗ 2018 Toccata Classics
© 2018 Toccata Classics

Much of the music of Joan Cabanilles (1644–1712) is as virtuosic and colourfully Baroque as that of his northern contemporary, Dietrich Buxtehude, though it is also touched with a distinctively Spanish intensity. He is claimed as the most prolific of all composers for the organ, and publication of his works, begun in 1927, is still under way. This is the second in an ongoing series of recordings designed to restore a great Valencian master to his unique glory. Timothy Roberts studied with Christopher Kite and Jill Severs, also receiving masterclass tuition from Kenneth Gilbert and Gustav Leonhardt. He worked for about thirty years as a busy touring keyboard player, twenty of them as principal keyboard of the Gabrieli Consort and his Players; he also became director of His Majestys Sagbutts & Cornetts. In recent years he has also gained experience as a recording engineer and sound editor, composer and music-typesetter.