Charles Martin Loeffler: Orchestral Works

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Charles Martin Loeffler: Orchestral Works 52:36 $11.98
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1 La Mort de Tintagiles 23:25 44.1/16 Album only
2 Five Irish Fantasies: I. The Hosting of the Sidhe 2:27 44.1/16 Album only
3 Five Irish Fantasies: II. The Host of the Air 5:57 44.1/16 Album only
4 Five Irish Fantasies: III. The Fiddler of Dooney 3:04 44.1/16 Album only
5 Five Irish Fantasies: IV. Ballad of the Foxhunter 10:10 44.1/16 Album only
6 Five Irish Fantasies: V. The Song of Caitilin Ni Uallachain 7:33 44.1/16 Album only

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Indianapolis Symphony Orchestra, John Nelson; Jennie Hansen, viola d'amore; Neil Rosenshein, tenor

"The music of Charles Martin Loeffler was a rarity in the United States. Much admired for its artistry, it was yet so individual and its Symbolist aesthetic so unusual that Loeffler acquired a reputation that set him apart from other American composers of his generation.

Loeffler came to America at the age of twenty. Behind him he had a cosmopolitan European background: he was born in France and had lived there and in Germany, Hungary, Russia, and
Switzerland. After one year in New York, Loeffler settled in Boston, where he was the assistant
concertmaster and a soloist with the Boston Symphony for twenty-one years. An extremely popular violinist in the city, he gained equal honors as a composer, and for nearly half a century Loeffler's music was a prominent and prized part of Boston's culture.

As a composer Loeffler was influenced by each culture to which he was exposed. He assimilated whatever he liked from a range of styles and eras, as well as nationalities. Combined with his modernity, this eclecticism created a highly individual style.

For good reason, however, Loeffler has been associated with the French, specifically with the Symbolist writers, from whom he drew inspiration for many works. He was drawn to texts
characterized by rich imagery, particularly if melancholy, macabre, exotic, unworldly, or bizarre. He himself became known as a Symbolist, or decadent (a term used synonymously with "Symbolist") composer.

Loeffler was a tone poet. His music emphasized color, nuance, atmosphere, and fantasy; it used untraditional methods, including free forms, exotic and modern harmonies, and innovative
instrumentation. A master colorist, Loeffler was considered a mystic for his evocative and iridescent musical visions."

-Ellen Knight (from the Liner Notes)
Ellen Knight is a freelance musicologist currently specializing in the music of nineteenth-century Boston and has written a biography and catalogue of works of Loeffler. She holds a Ph.D. from Brigham Young University.