Debussy: Images Sets I & II - Pour Le Piano (2011 - Remaster)

Available in Audiophile 96kHz/24bit

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Album Name Length Format Sample Rate Price
Debussy: Images Sets I & II - Pour Le Piano (2011 - Remaster) 56:34 $17.98
Buy Individual Tracks
# Track Title Length Format Sample Rate Price
1 Images Sets I & II, Book 1: Reflets dans l'eau 5:05 96/24 Album only
2 Images Sets I & II, Book 1: Hommage a Rameau 6:27 96/24 Album only
3 Images Sets I & II, Book 1: Mouvement 3:01 96/24 Album only
4 Images Sets I & II, Book 2: Cloches a travers les feuilles 3:48 96/24 Album only
5 Images Sets I & II, Book 2: Et la lune descend sur le temple qui fut 4:53 96/24 Album only
6 Images Sets I & II, Book 2: Poissons d'or 3:13 96/24 Album only
7 Pour le Piano: I. Prelude 3:30 96/24 Album only
8 Pour le Piano: II. Sarabande 4:43 96/24 Album only
9 Pour le Piano: III. Toccata 3:38 96/24 Album only
10 Estampes: I. Pagodes 4:11 96/24 Album only
11 Estampes: II. La soiree dans Grenade 4:20 96/24 Album only
12 Estampes: III. Jardins sous la pluie 3:23 96/24 Album only
13 Berceuse Heroique 4:40 96/24 Album only
14 Hommage a Haydn 1:42 96/24 Album only

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© 2012 EMI Records Ltd.
℗ 1954 The copyright in this sound recording is owned by EMI Records Ltd. Digital remastering ℗ 2011 by EMI Records Ltd.


Soloist: Walter Gieseking

THIS ALBUM DOWNLOAD FEATURES HIGH RESOLUTION COVER ART ONLY. LINER NOTES ARE NOT AVAILABLE.

Walter Gieseking was one of Debussy’s greatest interpreters. On this recording, Gieseking brings forth the maturity and sheer poetic beauty of Debussy’s compositions. His virtuoso technique intensifies the work with a refined harmonic richness.

About the Mastering
Four engineers at Abbey Road Studios in London have remastered these historic EMI recordings from their original analogue sources for release in pristine hi-def. Between them, Simon Gibson, Ian Jones, Andy Walter and Allan Ramsay have many years of experience remastering archive recordings for EMI and other record labels. The process always starts with finding all of the records and tapes in EMI's archive in London and comparing different sources and any previous CD reissues. We consult each recording's job file, which contains notes about the recording made by the engineer and producer. For example, this sometimes explain why there is more than one set of tapes to choose from. All of the tapes are generally in good condition and we play them on our Studer A80 π inch tape machine, after careful calibration of its replay characteristics.

In order to have the best digital remastering tools at our disposal for the remastering, we transfer from analogue to the digital domain at 96 KHz and 24-bit resolution using a Prism ADA-8 converter and capture the audio to our SADiE Digital Audio Workstation.

Simon Gibson, January 2012