Come Sunday

Available in Audiophile 192kHz/24bit, 96kHz/24bit, DSD 2.8MHz & DSD 5.6MHz

Buy Album
Album Name Length Format Sample Rate Price
Come Sunday 40:08 $24.98
Buy Individual Tracks
# Track Title Length Format Sample Rate Price
1 Something to Shout About: You'd be so nice to come home to 04:22 192/24 Album only
2 Going Home 03:52 192/24 Album only
3 Black, Brown and Beige: Come Sunday 03:57 192/24 Album only
4 Our Blues 05:22 192/24 Album only
5 I Got It Bad (and That Ain't Good) 08:28 192/24 Album only
6 Stompy Jones 03:39 192/24 Album only
7 Cottontail 03:35 192/24 Album only
8 Old Folks 06:53 192/24 Album only

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℗ 2017 2xHD - Storyville Records
© 2017 2xHD - Storyville Records

I’ve heard Ben play in so many settings but to sit down and listen to him play a ballad – nobody who ever played a ballad does a better job than Ben Webster does on it”. These words voiced by Dizzie Gillespie hit it right on the button.

Benjamin Francis Webster was an American jazz tenor saxophonist. Born in Kansas City, Missouri, he is considered one of the three most important "swing tenors" along with Coleman Hawkins and Lester Young

The  nickname ”The Brute and the Beautiful” was aptly given to Ben Webster. He became famous for his beautiful sound which gave his ballad playing a unique touch of tenderness, while his playing in faster tempos was virile and filled with growl, and when sober he was the kindest and gentlest man, witty and entertaining and the natural center of the gathering, while he was unpredictable and violent when he had consummated too much of alcohol. Despite this Dr. Jekyll-Mr. Hyde-personality he was a much loved musician and recorded a fair amount of excellent records of which most still are in stock, due to the fact that he is the best-selling tenor saxophonist in jazz.

THE 2xHD FUSION MASTERING SYSTEM

In the constant evolution of its proprietary mastering process, 2xHD has progressed to a new phase called 2xHD FUSION, integrating the finest analog, with state-of-the-art digital technology.

The mastering chain consists of a selection of high-end vacuum tube equipment. For the recordings on this album, the original ¼” 15 ips CCIR master tapes were played on a Nagra-T tape recorder, modified with high-end tube playback electronics, wired with OCC silver cable from the playback head direct to a Nick Doshi tube head preamplifier. The Nagra T, with its four direct drive motors, two pinch rollers and a tape tension head, has one of the best transports ever made. A custom-built carbon fiber head block and a head damping electronic system permit 2xHD FUSION to obtain a better resolution and 3D imaging.

The resulting signal is then transferred into high resolution formats by recording it in DSD 11.2 MHz using a Merging Technologies’ Horus A to D converter. All analog and digital cables that are used are state of the art. The 2xHD FUSION mastering system is powered by a super capacitor power supply, using a new technology that lowers the digital noise found in the lowest level of the spectrum. A vacuum tube NAGRA HDdac (DSD) is used as a reference digital playback converter in order to A and B with the original analog master tape, permitting the fusion of the warmth of analog with the refinement of digital.

2xHD was created by producer/studio owner André Perry and audiophile sound engineer René Laflamme