Dvorak: Cello Concerto - Silent Woods (2011 - Remaster)

Available in Audiophile 96kHz/24bit

Buy Album
Album Name Length Format Sample Rate Price
Dvorak: Cello Concerto - Silent Woods (2011 - Remaster) 49:06 $17.98
Buy Individual Tracks
# Track Title Length Format Sample Rate Price
1 Cello Concerto in B Minor, B.191, Op.104: I. Allegro 15:28 96/24 Album only
2 Cello Concerto in B Minor, B.191, Op.104: II. Adagio ma non troppo 13:18 96/24 Album only
3 Cello Concerto in B Minor, B.191, Op.104: III. Finale (Allegro moderato) 13:34 96/24 Album only
4 Silent woods, B.173, Op.68/5 6:46 96/24 Album only

Price as configured: $17.98

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© 2012 EMI Records Ltd
℗ 1971 The copyright in this sound recording is owned by EMI Records Ltd. Digital remastering ℗ 2011 by EMI Records Ltd.


THIS ALBUM DOWNLOAD FEATURES HIGH RESOLUTION COVER ART ONLY. LINER NOTES ARE NOT AVAILABLE.

Soloist: Jacqueline du Pre
Orchestra: Chicago Symphony Orchestra
Conductor: Daniel Barenboim

This remastered blockbuster features the extraordinary virtuoso Jacqueline du Pre, Daniel Barenboim and the Chicago Symphony Orchestra, as the performers explore two dynamic works by Dvorak: his Cello Concerto in B Minor, B.191, Op.104 and the Silent Woods. Jacqueline du Pre masterfully displays her outstanding technique with vivid vibrancy, while Barenboim commands the renowned orchestra.

About the Mastering
Four engineers at Abbey Road Studios in London have remastered these historic EMI recordings from their original analogue sources for release in pristine hi-def. Between them, Simon Gibson, Ian Jones, Andy Walter and Allan Ramsay have many years of experience remastering archive recordings for EMI and other record labels. The process always starts with finding all of the records and tapes in EMI's archive in London and comparing different sources and any previous CD reissues. We consult each recording's job file, which contains notes about the recording made by the engineer and producer. For example, this sometimes explain why there is more than one set of tapes to choose from. All of the tapes are generally in good condition and we play them on our Studer A80 π inch tape machine, after careful calibration of its replay characteristics.

In order to have the best digital remastering tools at our disposal for the remastering, we transfer from analogue to the digital domain at 96 KHz and 24-bit resolution using a Prism ADA-8 converter and capture the audio to our SADiE Digital Audio Workstation.

Simon Gibson, January 2012