Healing Tide

Available in Audiophile 44.1kHz/24bit

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Album Name Length Format Sample Rate Price
Healing Tide 0:45:26 $17.98
Buy Individual Tracks
# Track Title Length Format Sample Rate Price
1 Love Like There's No Tomorrow 02:24 44.1/24 Album only
2 Healing Tide 03:33 44.1/24 Album only
3 Are You Ready to Love Me? 03:34 44.1/24 Album only
4 Hearts 05:13 44.1/24 Album only
5 Jeep Cherokee Laredo 03:18 44.1/24 Album only
6 One and the Same 04:00 44.1/24 Album only
7 If It's in Your Heart 05:05 44.1/24 Album only
8 Here is Where the Loving is at (feat. Emmylou Harris) 04:20 44.1/24 Album only
9 All I Wanna Do 04:13 44.1/24 Album only
10 It's Not over Yet 05:20 44.1/24 Album only
11 Little New Bern 04:26 44.1/24 Album only

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℗ 2018 Strong World Entertainment marketed and distributed by Thirty Tigers
© 2018 Strong World Entertainment marketed and distributed by Thirty Tigers

THIS ALBUM DOWNLOAD FEATURES HIGH RESOLUTION COVER ART ONLY. LINER NOTES ARE NOT AVAILABLE.

Michael and Tanya Trotter took distinctly different paths to becoming The War and Treaty.

 

After winning a talent show when she was 13, Tanya knew singing would be her life. Growing up in a tight-knit community just outside of Washington, D.C., Tanya had a voice that was already hinting at the force it’d become: honeyed and bold, guttural but angelic. She’d discovered writing, too, and every blank space was an opportunity. “My mom would come into my room late at night and catch me reading books and writing, with a flashlight,” Tanya says, laughing. “I used to write on everything––envelopes, everything.”

 

Michael started writing later, and for different reasons. He spent part of his childhood in Cleveland before moving with his mother, brother, and sister to Washington, D.C. The family spent time in and out of homeless shelters––a limbo Michael would experience again as an adult. He was 19 when his first daughter, Michaela, was born. “She was the first thing I felt that I’d done right––my little girl,” he says. “I joined the army for her.” Michael enlisted in the United States Army in 2003, two years after 9/11. “I didn’t know it was wartime,” he says. “People say, ‘How do you not know that?’ Well, in the neighborhood I grew up in, we weren’t patriotic. No one cared––that’s rich people’s news. Meanwhile, someone I know just got shot yesterday.”

 

But what Michael did know was that as a soldier, he felt proud––then scared. He was sent to Iraq, where leaders who outranked him saw the fear in his eyes and treated him not as an underling, but as a brother. Stationed in one of Saddam Hussein’s rubbled palaces, he had access to a piano that had emerged miraculously unscathed. A captain heard him play and sing with his once-in-a-generation volcano of a voice, and he encouraged Michael to pursue music. When that same captain was killed, Michael sat down to write––really write––for the first time.

 

Officers noticed the tribute, pulled Michael from the front lines, and gave him a new charge: write and perform songs for the fallen. So whenever a brother or sister in arms died, Michael spoke to buddies, uncovered the story, and penned a song for the memorial. It was a heavy burden that also made him safer. “I remember, I would walk from one point to another, imagining people were chanting my name––imagining a concert that had nothing to do with death,” he says.

 

When Michael returned home, he was booked on a festival that also featured Tanya Blount. After his set, Tanya approached him and asked if he’d written his songs. He had. The two exchanged numbers, but Michael, battle-weary, scarred, and daunted by Tanya’s beauty, couldn’t understand why she’d want anything to do with him. “I threw her number away because I had a lot of insecurities that I still have. I thought, ‘Who would want to be with a guy who went to war?’”

 

Tanya didn’t wait on him. She called Michael, and the two became inseparable. Today, they’re married and have created a six-year-old son and a powerhouse duo. When The War and Treaty stepped up to fill an ill Buddy Miller’s spot at the 2017 Americana Music Festival & Conference, jaws at the Cannery Ballroom in Nashville collectively dropped. Just as anticipation surrounding Healing Tide is more than high, the music on the record is more than just sublime roots soul. It’s part of a mission.

 

As The War and Treaty, Michael and Tanya serve up healing and pain robbing with freewheeling joy on a monumental new full-length album, Healing Tide. An original tour-de-force produced by Buddy Miller, the collection swaggers with a confidence only gained by artists who are wholly, proudly, themselves. Funky bass lines, keys, lap steel, acoustic strings, and stripped-down percussion create a swampy Southern soul bed for the couple’s transcendent vocals. “I hope people see our hearts on this record,” Michael says. “I want them to experience freedom. To feel again.”

 

Michael wrote every track on Healing Tide alone. Opener “Love Like There’s No Tomorrow” sets the tone both thematically and vocally. Stark tambourine gives way to Michael’s gravelly locomotive vocals, which are joined in an early chorus by Tanya’s soaring harmonie...