In Utero - 20th Anniversary Super Deluxe

Available in Audiophile 96kHz/24bit

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Album Name Length Format Sample Rate Price
In Utero - 20th Anniversary Super Deluxe 3:42:39 $60.98
Buy Individual Tracks
# Track Title Length Format Sample Rate Price
Album 1
1 Serve The Servants (Album Version) 3:37 96/24 Album only
2 Scentless Apprentice (Album Version) 3:48 96/24 Album only
3 Heart-Shaped Box (Album Version) 4:41 96/24 Album only
4 Rape Me (Album Version) 2:50 96/24 Album only
5 Frances Farmer Will Have Her Revenge On Seattle (Album Version) 4:10 96/24 Album only
6 Dumb (Album Version) 2:31 96/24 Album only
7 Very Ape (Album Version) 1:55 96/24 Album only
8 Milk It (Album Version) 3:54 96/24 Album only
9 Pennyroyal Tea (Album Version) 3:38 96/24 Album only
10 Radio Friendly Unit Shifter (Album Version) 4:51 96/24 Album only
11 Tourette's (Album Version) 1:35 96/24 Album only
12 All Apologies (Album Version) 3:56 96/24 Album only
13 Gallons Of Rubbing Alcohol Flow Through The Strip (Album Version) 7:34 96/24 Album only
14 Marigold (B-Side) 2:34 96/24 Album only
15 Moist Vagina (2013 Mix) 3:33 96/24 Album only
16 Sappy (2013 Mix) 3:26 96/24 Album only
17 I Hate Myself And Want To Die (2013 Mix) 2:59 96/24 Album only
18 Pennyroyal Tea (Scott Litt Mix) 3:35 96/24 Album only
19 Heart Shaped Box (Original Steve Albini 1993 Mix) 4:41 96/24 Album only
20 All Apologies (Original Steve Albini 1993 Mix) 3:52 96/24 Album only
Album 2
1 Serve The Servants (2013 Mix) 3:38 96/24 Album only
2 Scentless Apprentice (2013 Mix) 3:49 96/24 Album only
3 Heart Shaped Box (2013 Mix) 4:38 96/24 Album only
4 Rape Me (2013 Mix) 2:49 96/24 Album only
5 Frances Farmer Will Have Her Revenge On Seattle (2013 Mix) 4:11 96/24 Album only
6 Dumb (2013 Mix) 2:32 96/24 Album only
7 Very Ape (2013 Mix) 1:57 96/24 Album only
8 Milk It (2013 Mix) 3:56 96/24 Album only
9 Pennyroyal Tea (2013 Mix) 3:32 96/24 Album only
10 Radio Friendly Unit Shifter (2013 Mix) 4:52 96/24 Album only
11 Tourette's (2013 Mix) 1:36 96/24 Album only
12 All Apologies (2013 Mix) 3:56 96/24 Album only
13 Scentless Apprentice (Demo) 3:52 96/24 Album only
14 Frances Farmer Will Have Her Revenge On Seattle (Demo / Instrumental) 4:32 96/24 Album only
15 Dumb (Demo / Instrumental) 2:38 96/24 Album only
16 Very Ape (Demo / Instrumental) 2:20 96/24 Album only
17 Pennyroyal Tea (Demo / Instrumental) 3:31 96/24 Album only
18 Radio Friendly Unit Shifter (Demo / Instrumental) 2:39 96/24 Album only
19 Tourette's (Demo / Instrumental) 2:14 96/24 Album only
20 Marigold (Demo) 3:25 96/24 Album only
21 All Apologies (Demo) 4:24 96/24 Album only
22 Forgotten Tune (Demo / Instrumental) 2:04 96/24 Album only
23 Jam (Demo) 5:34 96/24 Album only
Album 3
1 Radio Friendly Unit Shifter (Live & Loud) 4:30 96/24 Album only
2 Drain You (Live & Loud) 3:42 96/24 Album only
3 Breed (Live & Loud) 3:13 96/24 Album only
4 Serve The Servants (Live & Loud) 3:23 96/24 Album only
5 Rape Me (Live & Loud) 2:39 96/24 Album only
6 Sliver (Live & Loud) 2:05 96/24 Album only
7 Pennyroyal Tea (Live & Loud) 3:41 96/24 Album only
8 Scentless Apprentice (Live & Loud) 3:53 96/24 Album only
9 All Apologies (Live & Loud) 3:38 96/24 Album only
10 Heart Shaped Box (Live & Loud) 4:29 96/24 Album only
11 Blew (Live & Loud) 3:36 96/24 Album only
12 The Man Who Sold The World (Live & Loud) 4:34 96/24 Album only
13 School (Live & Loud) 2:40 96/24 Album only
14 Come As You Are (Live & Loud) 3:41 96/24 Album only
15 Lithium (Live & Loud) 4:20 96/24 Album only
16 About A Girl (Live & Loud) 2:48 96/24 Album only
17 Endless, Nameless (Live & Loud) 13:28 96/24 Album only

Price as configured: $60.98

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℗ © 2013 Geffen Records

THIS ALBUM DOWNLOAD FEATURES HIGH RESOLUTION COVER ART ONLY. LINER NOTES ARE NOT AVAILABLE.


Please Note: On Disc 2, tracks 14, 15, 17, 18, 19, 20, 22, 23 are 48/24; Disc 3 is all 48/24

To say that Nirvana's third and ultimately final studio album In Utero was 1993's most polarizing record would be the understatement of a decade. The unadorned sonic rawness of Steve Albini's recording laid bare every primal nuance of the most confrontational yet vulnerable material Kurt Cobain, Krist Novoselic and Dave Grohl would ever record. And with its 1991 predecessor Nevermind having sold some 30 million copies, singlehandedly returning honest rock ’n’ roll to the top of the pop charts, In Utero was essentially the first record Nirvana would make with any expectations from the public. So from the opening quasi-shamble melodics of "Serve The Servants" through the bittersweet closing strains of "All Apologies," In Utero was the sound of the most incredible yet conflicted rock ‘n’ roll band of the era at the peak of its powers coming to terms with a generational spokes-band mantle they'd never seen coming—and ultimately surmounting these struggles to make the record they needed to make. As Rolling Stone's David Fricke said in his review at the time, "In Utero is a lot of things—brilliant, corrosive, enraged and thoughtful, most of them all at once. But more than anything, it's a triumph of the will."

This Super Deluxe Edition features more than 70 remastered, remixed, rare and unreleased recordings, including B-sides, compilation tracks, never-before-heard demos and live material (including the complete "Live & Loud" show from Seattle's Pier 48 on December 13, 1993) featuring the final touring lineup of Cobain, Novoselic, Grohl, and Pat Smear, plus never-before-released bonus material.

On the remastering of In Utero by Steve Rooke:

  • The original mix and the 2013 remix versions were mixed down to 30ips half inch non-Dolby analogue tape, Steve Albini's preferred format.

  • When mastering the CD & Digital versions the masters were played from a Studer analogue machine into the EMI TG analogue transfer desk.

  • All EQ'ing etc was done using the TG desk and when we had the desired sound the tracks were transferred via a Benchmark A to D converter onto our Sadie workstation.

  • Once on the workstation the tracks were listened to and any unwanted artifacts removed. Any clicks such as plectrum noises and guitar switch noises, etc. were left in as these were felt to be part of the performance.

  • The final stage of the mastering process for the digital formats was to play the albums through a real time digital limiter to increase volume level.

  • As we wanted to keep as much dynamic as possible the limiting was minimal as we felt the album would suffer if heavily limited.