Mahler: Das Lied Von Der Erde (2011 - Remaster)

Available in Audiophile 96kHz/24bit

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Album Name Length Format Sample Rate Price
Mahler: Das Lied Von Der Erde (2011 - Remaster) 1:04:06 $17.98
Buy Individual Tracks
# Track Title Length Format Sample Rate Price
1 Das Lied von der Erde, 'Song of the Earth': I. Das Trinklied vom Jammer der Erde (ten) 8:06 96/24 Album only
2 Das Lied von der Erde, 'Song of the Earth': II. Der Einsame im Herbst (con/bar) 10:12 96/24 Album only
3 Das Lied von der Erde, 'Song of the Earth': III. Von der Jugend (ten) 3:44 96/24 Album only
4 Das Lied von der Erde, 'Song of the Earth': IV. Von der Schonheit (con/bar) 7:50 96/24 Album only
5 Das Lied von der Erde, 'Song of the Earth': V. Der Trunkene im Fruhling (ten) 4:43 96/24 Album only
6 Das Lied von der Erde, 'Song of the Earth': VI. Der Abschied (con/bar) 29:31 96/24 Album only

Price as configured: $17.98

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© 2012 EMI Records Ltd.
℗ 1967 The copyright in this sound recording is owned by EMI Records Ltd. Digital remastering ℗ 2011 by EMI Records Ltd.


Soloist: Christa Ludwig, Fritz Wunderlich
Conductor: Otto Klemperer
Orchestra: New Philharmonia Orchestra, Philharmonia Orchestra

THIS ALBUM DOWNLOAD FEATURES HIGH RESOLUTION COVER ART ONLY. LINER NOTES ARE NOT AVAILABLE.

This is one of the definitive performance of Mahler’s Das Lied Von Der Erde. One of the great recordings of the century, the album features the sophisticated insight of renowned conductor Otto Klemperer. The singers are superb and the orchestras are in peak form. Ludwig’s angelic vocals flow effortlessly while Wunderlich delivers powerful and articulate phrasing. With lavish instrumentation, the remastered sound captures every nuance.

About the Mastering
Four engineers at Abbey Road Studios in London have remastered these historic EMI recordings from their original analogue sources for release in pristine hi-def. Between them, Simon Gibson, Ian Jones, Andy Walter and Allan Ramsay have many years of experience remastering archive recordings for EMI and other record labels. The process always starts with finding all of the records and tapes in EMI's archive in London and comparing different sources and any previous CD reissues. We consult each recording's job file, which contains notes about the recording made by the engineer and producer. For example, this sometimes explain why there is more than one set of tapes to choose from. All of the tapes are generally in good condition and we play them on our Studer A80 π inch tape machine, after careful calibration of its replay characteristics.

In order to have the best digital remastering tools at our disposal for the remastering, we transfer from analogue to the digital domain at 96 KHz and 24-bit resolution using a Prism ADA-8 converter and capture the audio to our SADiE Digital Audio Workstation.

Simon Gibson, January 2012