Mozart: Messe in C-Moll, K. 427 "Gro?e Messe" (Mit Werkeinfuhrung) [Live]

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Mozart: Messe in C-Moll, K. 427 "Gro?e Messe" (Mit Werkeinfuhrung) [Live] 2:03:40 $20.98
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# Track Title Length Format Sample Rate Price
1 Messe in C-Moll, K. 427 Gro?e Messe (Reconstructed by C. Kemme): I. Kyrie (Live) 06:45 48/24 Album only
2 Messe in C-Moll, K. 427 Gro?e Messe (Reconstructed by C. Kemme): IIa. Gloria in excelsis Deo (Live) 02:10 48/24 Album only
3 Messe in C-Moll, K. 427 Gro?e Messe (Reconstructed by C. Kemme): IIb. Laudamus te (Live) 04:31 48/24 Album only
4 Messe in C-Moll, K. 427 Gro?e Messe (Reconstructed by C. Kemme): IIc. Gratias agimus tibi (Live) 01:06 48/24 Album only
5 Messe in C-Moll, K. 427 Gro?e Messe (Reconstructed by C. Kemme): IId. Domine Deus (Live) 02:38 48/24 Album only
6 Messe in C-Moll, K. 427 Gro?e Messe (Reconstructed by C. Kemme): IIe. Qui tollis (Live) 05:07 48/24 Album only
7 Messe in C-Moll, K. 427 Gro?e Messe (Reconstructed by C. Kemme): IIf. Quoniam tu solus (Live) 03:39 48/24 Album only
8 Messe in C-Moll, K. 427 Gro?e Messe (Reconstructed by C. Kemme): IIg. Jesu Christe - Cum Santo Spiritu (Live) 04:18 48/24 Album only
9 Messe in C-Moll, K. 427 Gro?e Messe (Reconstructed by C. Kemme): IIIa. Credo in unum Deum (Live) 03:14 48/24 Album only
10 Messe in C-Moll, K. 427 Gro?e Messe (Reconstructed by C. Kemme): IIIb. Et incarnatus est (Live) 08:07 48/24 Album only
11 Messe in C-Moll, K. 427 Gro?e Messe (Reconstructed by C. Kemme): IV. Sanctus - Osanna (Live) 03:27 48/24 Album only
12 Messe in C-Moll, K. 427 Gro?e Messe (Reconstructed by C. Kemme): V. Benedictus - Osanna (Live) 05:51 48/24 Album only
13 Wege zur Musik aus der Messe in C-Moll, Teil 1 Der herrliche Torso: Junger Ehemann und werdender Vater 04:22 48/24 Album only
14 Wege zur Musik aus der Messe in C-Moll, Teil 1 Der herrliche Torso: Die Votivgabe 05:06 48/24 Album only
15 Wege zur Musik aus der Messe in C-Moll, Teil 1 Der herrliche Torso: Lucken und Fragmente 08:44 48/24 Album only
16 Wege zur Musik aus der Messe in C-Moll, Teil 1 Der herrliche Torso: Ein tugendhaftes und gefalliges Weib 02:19 48/24 Album only
17 Wege zur Musik aus der Messe in C-Moll, Teil 1 Der herrliche Torso: Was ist Aufklarung? 04:08 48/24 Album only
18 Wege zur Musik aus der Messe in C-Moll, Teil 2 Mozart auf Freiersfu?en: Emanzipation, Erfolg und Neuanfang 03:30 48/24 Album only
19 Wege zur Musik aus der Messe in C-Moll, Teil 2 Mozart auf Freiersfu?en: Liebe und Fugen 05:27 48/24 Album only
20 Wege zur Musik aus der Messe in C-Moll, Teil 2 Mozart auf Freiersfu?en: Nichts als Handel und Bach 08:00 48/24 Album only
21 Wege zur Musik aus der Messe in C-Moll, Teil 2 Mozart auf Freiersfu?en: Freundschaften und Opernplane 02:44 48/24 Album only
22 Wege zur Musik aus der Messe in C-Moll, Teil 2 Mozart auf Freiersfu?en: Arien und Familienkonflikte 06:40 48/24 Album only
23 Wege zur Musik aus der Messe in C-Moll, Teil 3 Salzburg und die Nachwelt: Salzburger Tragodie 03:40 48/24 Album only
24 Wege zur Musik aus der Messe in C-Moll, Teil 3 Salzburg und die Nachwelt: Erstauffuhrung zu Sankt Peter 03:38 48/24 Album only
25 Wege zur Musik aus der Messe in C-Moll, Teil 3 Salzburg und die Nachwelt: Parodie im Burgtheater 04:41 48/24 Album only
26 Wege zur Musik aus der Messe in C-Moll, Teil 3 Salzburg und die Nachwelt: Frau Witwe Mozart 03:57 48/24 Album only
27 Wege zur Musik aus der Messe in C-Moll, Teil 3 Salzburg und die Nachwelt: Gleich einer Reliquie 06:14 48/24 Album only

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℗ 2018 BR-Klassik
© 2018 BR-Klassik


Written in 1782, Mozart's Mass in C minor - although incomplete – ranks as one of the outstanding Mass settings in European music history. The very recent reconstruction/completion of the Mass by Clemens Kemme in the spring of 2018 confines itself to the original sources, avoiding any arbitrary additions. The work was recorded in this critically acclaimed version for the Bayerischer Rundfunk during the summer of 2018, and conducted by Howard Arman. This album is thus the first recording of the definitive version of this new and intelligently edited reconstruction of Mozart's Mass in C minor. An introduction to the work is also included, enabling this masterpiece to be approached from new perspectives. In Vienna in the summer of 1782, Mozart started writing a new Mass despite having apparently received no commission to do so. On August 4, 1782 he married Constanze Mozart, and from his correspondence it appears that he had made himself a promise to “have a newly-composed mass performed in Salzburg if he brought her there as his wife.” The work may have been performed on October 26, 1783 in St. Peter's Church in Salzburg, with Constanze as the soprano soloist; concrete evidence of such a performance is however lacking. Nevertheless, the Mass can probably be seen as a kind of votive offering for Constanze. The fact that the work was not completed may be due to the church music reforms implemented by the Emperor Joseph II, who preferred sacred music to be performed on a smaller scale. In 1785, Mozart eventually reworked the “Kyrie" and "Gloria" from the mass for his cantata Davide penitente.