Música de Feria, Los cuartetos de cuerda

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Album Name Length Format Sample Rate Price
Música de Feria, Los cuartetos de cuerda 43:52 $11.98
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# Track Title Length Format Sample Rate Price
1 Quartet No.1 - Allegro energico 05:51 $1.49 Buy
2 Vivo 04:52 $1.49 Buy
3 Quartet No.2 - Magueyes - Allegro giocoso 06:09 $1.49 Buy
4 Molto vivace 02:43 $1.49 Buy
5 Allegro molto sostenuto 01:53 $1.49 Buy
6 Quartet No.3 - Allegro con brio 04:14 $1.49 Buy
7 Misterioso y fantastico 04:14 $1.49 Buy
8 Lento - Allegro 04:55 $1.49 Buy
9 Quartet No.4 - Música de Feria 09:01 44.1/16 Album only

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I was born in Santiago Papasquiaro, Durango, on December 31, 1899. It is located, I think, near the mountains, since my earliest and most vivid childhood recollection is of a trip through the sierra tied to the back of a mule--I was just a little fellow--sleeping in a tent on the ground, hunting birds with a slingshot, picking berries at daylight, hearing the wolves in the night. I was left from that time on with an impulsive, humble love of pine trees, mountains, and the horizon.

As a small boy (and maybe as an adult) I always preferred banging on a washtub or dreaming up tales to doing something useful. And that is how I spent my time, imitating instruments with my voice, improvising orchestras and songs to accompaniments on the washtub, one of those round galvanized tubs that I always preferred to drum on more than to bathe in.

I began to love Bach and Beethoven at a very early stage. It gave me much pleasure to stroll Chapultepec Park's romantic avenues, taking long strides, arms behind my back, long hair in disarray. Those lithographs and engravings of poor Beethoven, grim-faced, defying the storm, had a stong influence over me. I could do no less myself.

I have had many teachers. The best of them, with no degrees, knew more than the others. For that reason I have always had little respect for degress. Now, after many years I still study, have teachers, write music, dream of distant countries, and sometimes bang on washtubs.

--Silvestre Revuelta

"The four string quartets exhibit rhythmic trickery and a Ravelian harmonic sophistication, in additon to a cheerful way with folk materials that has parallels in Stravinsky, Bartok, and Janacek, though the feel is sunnier." - The New Yorker