My True Story

Available in Audiophile 192kHz/24bit & 96kHz/24bit

Buy Album
Album Name Length Format Sample Rate Price
My True Story 38:24 $17.98
Buy Individual Tracks
# Track Title Length Format Sample Rate Price
1 Money Honey 2:53 96/24 Album only
2 My True Story 2:59 96/24 Album only
3 Ruby Baby 2:31 96/24 Album only
4 Gypsy Woman 3:29 96/24 Album only
5 Ting A Ling 2:47 96/24 Album only
6 Be My Baby 3:48 96/24 Album only
7 Little Bitty Pretty One 2:43 96/24 Album only
8 Tears On My Pillow 3:29 96/24 Album only
9 Under The Boardwalk 2:53 96/24 Album only
10 Work With Me Annie 3:05 96/24 Album only
11 This Magic Moment / True Love (Medley) 4:29 96/24 Album only
12 Goodnight My Love (Pleasant Dreams) 3:18 96/24 Album only

Price as configured: $17.98

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© 2013 Blue Note Records
℗ 2012 Blue Note Records. All rights reserved.


My True Story finds Aaron Neville exploring the music he grew up with and adding a variety of twists along the way. The iconic soul/R&B vocalist and multi-GRAMMY® Award winner is making his debut on Blue Note Records. Produced by Don Was and Keith Richards, the album is a collection of twelve classic doo-wop tracks, sung by Neville’s spine-tingling vocals. Musicians on the album include Keith Richards, Greg Leisz (Beck, Sheryl Crow), Benmont Tench (Tom Petty and the Heartbreakers), George G. Receli (Bob Dylan) and Tony Scherr (Bill Frisell, Norah Jones). Neville hand-selected each track on My True Story, which features tunes by Little Anthony and the Imperials (“Tears On My Pillow”), Hank Ballard and the Midnighters (“Work With Me Annie”) and The Drifters (“Money Honey,” “Under The Boardwalk,” “This Magic Moment”). To Neville, though, these songs weren’t just the soundtrack to his youth; they became the underpinning for all the remarkable music he has created across five decades.

Click Here To Watch Aaron Neville Discuss His Latest Project, My True Story

What sets this collection of doo-wop and early rock era tunes apart from the jaded pack is Neville's peerless voice and crystal clear passion for the material. - The Boston Globe