Beethoven: Piano Trios Nos. 1-3

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Album Name Length Format Sample Rate Price
Beethoven: Piano Trios Nos. 1-3 1:36:07 $20.98
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# Track Title Length Format Sample Rate Price
1 Piano Trio No. 1 in E-Flat Major, Op. 1 No. 1: I. Allegro 10:44 96/24 Album only
2 Piano Trio No. 1 in E-Flat Major, Op. 1 No. 1: II. Adagio cantabile 07:19 96/24 Album only
3 Piano Trio No. 1 in E-Flat Major, Op. 1 No. 1: III. Scherzo. Allegro assai 04:51 96/24 Album only
4 Piano Trio No. 1 in E-Flat Major, Op. 1 No. 1: IV. Finale. Presto 08:15 96/24 Album only
5 Piano Trio No. 2 in G Major, Op. 1 No. 2: I. Adagio - Allegro vivace 12:08 96/24 Album only
6 Piano Trio No. 2 in G Major, Op. 1 No. 2: II. Largo con espressione 08:39 96/24 Album only
7 Piano Trio No. 2 in G Major, Op. 1 No. 2: III. Scherzo. Allegro 03:40 96/24 Album only
8 Piano Trio No. 2 in G Major, Op. 1 No. 2: IV. Finale. Presto 08:18 96/24 Album only
9 Piano Trio No. 3 in C Minor, Op. 1 No. 3: I. Allegro con brio 10:28 96/24 Album only
10 Piano Trio No. 3 in C Minor, Op. 1 No. 3: II. Andante cantabile con variazioni 07:23 96/24 Album only
11 Piano Trio No. 3 in C Minor, Op. 1 No. 3: III. Menuetto. Quasi allegro 04:43 96/24 Album only
12 Piano Trio No. 3 in C Minor, Op. 1 No. 3: IV. Finale. Prestissimo 08:57 96/24 Album only

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℗ 2018 Chandos
© 2018 Chandos

In this new Chaconne release, Trio Goya offers unique accounts of Beethoven’s early piano trios, revealing on period instruments and in the magical acoustic of the Britten-Pears Auditorium at Aldeburgh’s Snape Maltings the extraordinary range of colors and narratives that these pieces suggest. Beethoven’s Opus 1 features amongst Trio Goya’s central repertoire, played regularly in the UK’s most prestigious venues and beyond. After a recent Wigmore Hall concert, Early Music Today wrote that “Trio Goya sent us home spinning on the delights and laughter of early Beethoven. His piano trio opus 1 No. 1 frothed and bubbled down the finale's theme, the musicians swept along by their own hell-for-leather, immaculately kept tempo.” These pieces mark a kind of beginning in Beethoven’s career. They were indeed planned and executed, over a period of two years, with unprecedented care and skill; they mark the start of a new creative period for the young genius, which is distinct from the younger Bonn years and is fully deserving of the label ‘first maturity’ conferred by the musicologist Lewis Lockwood.