Haydn: Piano Sonatas, Vol. 7

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Album Name Length Format Sample Rate Price
Haydn: Piano Sonatas, Vol. 7 1:12:38 $17.98
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# Track Title Length Format Sample Rate Price
1 Piano Sonata (Divertimento) No. 8 in A Major, Hob. XVI:5: I. Allegro 05:32 96/24 Album only
2 Piano Sonata (Divertimento) No. 8 in A Major, Hob. XVI:5: II. Menuet - Trio - Menuet da capo 03:03 96/24 Album only
3 Piano Sonata (Divertimento) No. 8 in A Major, Hob. XVI:5: III. Presto 03:40 96/24 Album only
4 Piano Sonata No. 46 in E Major, Hob. XVI:31: I. Moderato 06:43 96/24 Album only
5 Piano Sonata No. 46 in E Major, Hob. XVI:31: II. Allegretto 02:36 96/24 Album only
6 Piano Sonata No. 46 in E Major, Hob. XVI:31: III. Finale. Presto - Minore - Maggiore 02:28 96/24 Album only
7 Piano Sonata (Partita) No. 13 in G Major, Hob. XVI:6: I. Allegro 05:17 96/24 Album only
8 Piano Sonata (Partita) No. 13 in G Major, Hob. XVI:6: II. Menuetto - Trio - Menuetto da capo 04:03 96/24 Album only
9 Piano Sonata (Partita) No. 13 in G Major, Hob. XVI:6: III. Adagio 04:42 96/24 Album only
10 Piano Sonata (Partita) No. 13 in G Major, Hob. XVI:6: IV. Allegro molto 02:40 96/24 Album only
11 Piano Sonata No. 57 in F Major, Hob. XVI:47: I. Moderato 08:02 96/24 Album only
12 Piano Sonata No. 57 in F Major, Hob. XVI:47: II. Larghetto 06:17 96/24 Album only
13 Piano Sonata No. 57 in F Major, Hob. XVI:47: III. Allegro 04:59 96/24 Album only
14 Piano Sonata No. 58 in C Major, Hob. XVI:48: I. Andante con espressione 08:21 96/24 Album only
15 Piano Sonata No. 58 in C Major, Hob. XVI:48: II. Rondo. Presto 04:04 96/24 Album only

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℗ 2018 Chandos
© 2018 Chandos

Alongside an internationally acclaimed celebration of Debussy’s centenary, Jean-Efflam Bavouzet continues his sumptuous journey through Haydn, the installments consistently praised for their intelligent approach and clear and vivid interpretations. Recorded on a modern Yamaha CFX in the warm acoustic of Potton Hall in Suffolk, the series has now reached Volume 7, which showcases several rarely heard sonatas, some of which have been considered of dubious authenticity or outright apocryphal. With the exception of No. 13 (Hob. XVI: 6), absolutely and unarguably authentic, these sonatas survive only in the form of copies, and to establish a chronology is difficult, even impossible. But through Jean-Efflam Bavouzet’s playing, all these pieces are revealed in their purest essence and diversity, from the energetic, witty, and ironic to the graceful, tender, and intimate.