Pachelbel: The Complete Organ Works Vol. 5

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Album Name Length Format Sample Rate Price
Pachelbel: The Complete Organ Works Vol. 5 1:13:21 $11.98
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# Track Title Length Format Sample Rate Price
1 Arietta F Major (POP 7) 12:34 44.1/16 Album only
2 Prelude d Minor (POP 256) 5:54 $1.49 Buy
3 Fugue d Minor (POP 141) 2:35 $1.49 Buy
4 Toccata g Minor (POP 284) 2:42 $1.49 Buy
5 Fugue G Major (POP 142) 1:42 $1.49 Buy
6 Toccata C Major (POP 273) 2:30 $1.49 Buy
7 Fugue C Major (POP 132) 3:21 $1.49 Buy
8 Chorale Prelude »Allein Gott in der Höh' sei Ehr'« (POP 25) 2:36 $1.49 Buy
9 Chorale Prelude »Allein Gott in der Höh' sei Ehr'« (POP 26) 4:01 $1.49 Buy
10 Chorale Prelude »Wir glauben all' an einen Gott« (POP 89) 4:52 $1.49 Buy
11 Chorale Prelude »Gott der Vater wohn' uns bei« (POP 51) 3:01 $1.49 Buy
12 Chorale Variations »Ach, was soll ich Sünder machen« (POP 105) 8:04 44.1/16 Album only
13 Magnificat quinti toni - Fugue 1 (POP 203) 1:53 $1.49 Buy
14 Magnificat quinti toni - Fugue 2 (POP 204) 1:21 $1.49 Buy
15 Magnificat quinti toni - Fugue 3 (POP 205) 1:41 $1.49 Buy
16 Magnificat quinti toni - Fugue 4 (POP 206) 1:35 $1.49 Buy
17 Magnificat quinti toni - Fugue 5 (POP 207) 2:00 $1.49 Buy
18 Magnificat quinti toni - Fugue 6 (POP 208) 1:39 $1.49 Buy
19 Magnificat quinti toni - Fugue 7 (POP 209) 1:17 $1.49 Buy
20 Magnificat quinti toni - Fugue 8 (POP 210) 1:44 $1.49 Buy
21 Magnificat quinti toni - Fugue 9 (POP 211) 1:27 $1.49 Buy
22 Magnificat quinti toni - Fugue 10 (POP 212) 1:35 $1.49 Buy
23 Magnificat quinti toni - Fugue 11 (POP 213) 1:18 $1.49 Buy
24 Magnificat quinti toni - Fugue 12 (POP 214) 1:59 $1.49 Buy

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Pachelbel's secular output consisted of around twenty harpsichord suites, sets of variations and various instrumental works. As a parish musician, though, the bulk of this work was written for church services, in particular Mass and Vespers, in which both singers and instrumentalists took part. Around 26 motets, 19 spiritual songs, 13 magnificats, spiritual concerts and masses have survived. Like both Schütz and Buxtehude, Pachelbel liked to experiment with various instrumental configurations, from the smallest - voice, two violins and continuo - to the most grandiose. The spiritual concert Lober den Herrn in seinem Heiligtum (Praise the Lord in his Sanctuary) is scored for five voices, two flutes, bassoon, five trumpets, trombone, drums, cymbals, harp, two violins, three violas, continuo and organ. However, it is Pachelbel's organ music that takes pride of place in his production, since the surviving corpus is one of the most extensive of the period, twice the size of Buxtehude's, and evidence of other lost works has been found.
[To be continued]
- Gilles Cantagrel