PENDERECKI: Symphonies Nos. 2 and 4

Available in 44.1kHz/16bit

Buy Album
Album Name Length Format Sample Rate Price
PENDERECKI: Symphonies Nos. 2 and 4 1:05:53 $11.98
Buy Individual Tracks
# Track Title Length Format Sample Rate Price
1 I. Moderato (Symphony No. 2, "Christmas Symphony") 7:50 44.1/16 Album only
2 II. Allegretto (Symphony No. 2, "Christmas Symphony") 3:53 44.1/16 Album only
3 III. Lento (Symphony No. 2, "Christmas Symphony") 10:22 44.1/16 Album only
4 IV. Tempo I (Symphony No. 2, "Christmas Symphony") 4:11 44.1/16 Album only
5 V. Allegretto (Symphony No. 2, "Christmas Symphony") 8:35 44.1/16 Album only
6 I. Adagio (Symphony No. 4) 4:35 44.1/16 Album only
7 II. Piu animato (Symphony No. 4) 3:31 44.1/16 Album only
8 III. Tempo I (Symphony No. 4) 13:06 44.1/16 Album only
9 IV. Allegro (Symphony No. 4) 5:50 44.1/16 Album only
10 V. Tempo II (Symphony No. 4) 4:00 44.1/16 Album only

Price as configured: $11.98

* Required Fields

Born in Poland towards the end of 1933, Krzysztof Penderecki established a reputation as one of the most revolutionary composers of the 20th century, his scores gaining acclaim among modernists. In the mid-1960's he surprised the musical world by adopting a more traditional and populist style of composing, using melodic conventions as the basis of his music. This return to tonality generated a renewed interest in the symphonic form, the dramatic First Symphony of 1973 completing his restoration of melodic language. It was a style continued in the Second Symphony, commenced by the composer on Christmas Day 1979. The Fourth Symphony was commissioned by Radio France to mark the bicentenary of the French Revolution, the music moving between conflict and moments of reconciliation.

Antoni Wit and his Polish players seem closer to the heart of these symphonies than the composer...and this was after the shocking Sixties, when Penderecki was indulging instead in late-Romantic sentimentality. Maybe this music's time has come, early in the 21st century. - Andrew McGregor, BBC Music Magazine, January 2001