Reincken: Complete Keyboard Works, Vol. 2

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Reincken: Complete Keyboard Works, Vol. 2 57:33 $17.98
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# Track Title Length Format Sample Rate Price
1 Toccata in G Minor 00:05:47 88/24 Album only
2 Harpsichord Suite No. 8 in B-Flat Major: I. Allemande 00:02:36 88/24 Album only
3 Harpsichord Suite No. 8 in B-Flat Major: II. Courante 00:02:08 88/24 Album only
4 Harpsichord Suite No. 8 in B-Flat Major: III. Sarabande 00:01:39 88/24 Album only
5 Harpsichord Suite No. 8 in B-Flat Major: IV. Gigue 00:01:34 88/24 Album only
6 Harpsichord Suite No. 6 in F Major 00:02:41 88/24 Album only
7 Harpsichord Suite No. 6 in F Major: II. Courante 00:01:48 88/24 Album only
8 Harpsichord Suite No. 6 in F Major: III. Sarabande 00:01:39 88/24 Album only
9 Harpsichord Suite No. 6 in F Major: IV. Gigue 00:01:25 88/24 Album only
10 Harpsichord Suite No. 1 in C Major: I. Allemande 00:02:51 88/24 Album only
11 Harpsichord Suite No. 1 in C Major: II. Courante 00:01:44 88/24 Album only
12 Harpsichord Suite No. 1 in C Major: III. Sarabande 00:01:46 88/24 Album only
13 Harpsichord Suite No. 1 in C Major: IV. Gigue 00:01:27 88/24 Album only
14 Fuga in G Minor 00:04:28 88/24 Album only
15 Partite diverse sopra l'Aria: Schweiget mir von Weibernehmen: Variation 1 00:01:30 88/24 Album only
16 Partite diverse sopra l'Aria: Schweiget mir von Weibernehmen: Variation 2 00:01:24 88/24 Album only
17 Partite diverse sopra l'Aria: Schweiget mir von Weibernehmen: Variation 3 00:01:27 88/24 Album only
18 Partite diverse sopra l'Aria: Schweiget mir von Weibernehmen: Variation 4 00:01:05 88/24 Album only
19 Partite diverse sopra l'Aria: Schweiget mir von Weibernehmen: Variation 5 00:01:08 88/24 Album only
20 Partite diverse sopra l'Aria: Schweiget mir von Weibernehmen: Variation 6 00:01:06 88/24 Album only
21 Partite diverse sopra l'Aria: Schweiget mir von Weibernehmen: Variation 7 00:01:12 88/24 Album only
22 Partite diverse sopra l'Aria: Schweiget mir von Weibernehmen: Variation 8 00:00:59 88/24 Album only
23 Partite diverse sopra l'Aria: Schweiget mir von Weibernehmen: Variation 9 00:01:04 88/24 Album only
24 Partite diverse sopra l'Aria: Schweiget mir von Weibernehmen: Variation 10 00:01:26 88/24 Album only
25 Partite diverse sopra l'Aria: Schweiget mir von Weibernehmen: Variation 11 00:00:56 88/24 Album only
26 Partite diverse sopra l'Aria: Schweiget mir von Weibernehmen: Variation 12 00:01:50 88/24 Album only
27 Partite diverse sopra l'Aria: Schweiget mir von Weibernehmen: Variation 13 00:01:05 88/24 Album only
28 Partite diverse sopra l'Aria: Schweiget mir von Weibernehmen: Variation 14 00:01:10 88/24 Album only
29 Partite diverse sopra l'Aria: Schweiget mir von Weibernehmen: Variation 15 00:01:20 88/24 Album only
30 Partite diverse sopra l'Aria: Schweiget mir von Weibernehmen: Variation 16 00:02:19 88/24 Album only
31 Partite diverse sopra l'Aria: Schweiget mir von Weibernehmen: Variation 17 00:01:59 88/24 Album only
32 Partite diverse sopra l'Aria: Schweiget mir von Weibernehmen: Variation 18 00:01:00 88/24 Album only

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Johann Adam Reincken (1643 - 1722): Toccata in g minor, Suites No. 8, 6, 1, Schweiget mir von Weiber nehmen

Johann Adam Reincken was considered one of the highest authority on the organ at his time, as well as Dieterich Buxtehude (in 1701 a young Johann Sebastian Bach walked the 30 miles from Lunenburg to Hamburg to hear Reincken play the organ).

This release features his complete music for keyboard instruments, which unsurprisingly dominates his total output. It contains Suites, Variations, Toccatas (here played on the harpsichord), two big organ chorale fantasias and a well known G minor fugue.

The tonal range of the pieces has been compared to the original instruments played by Reincken in order to elucidate which instrument (harpsichord or organ) they were composed for. With its wealth of figures and complex harmonies, its stylistic variety and cleverly planned layout, it offers a great compendium of Hamburg’s organ art in the XVII century.

With his earlier recordings for OnClassical, Simone Stella established his reputation as one of the foremost interpreters of Baroque keyboard music, receiving 5 star reviews in the international press.

The recording is made in perfect two-microphone stereo with totally absence of mastering! A top recording that earned 5 “diapason” at the prestigious omonymous magazine.

Recorded at: Pieve di Sant'Eusebio, Bassano del Grappa, Vicenza, 2012
Engineer: Alessandro Simonetto