Resonance

Available in 44.1kHz/16bit

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Album Name Length Format Sample Rate Price
Resonance 1:57:15 $11.98
Buy Individual Tracks
# Track Title Length Format Sample Rate Price
Album 1
1 Scales 10:40 44.1/16 Album only
2 Ostinato 12:48 44.1/16 Album only
3 For Marianne 7:03 44.1/16 Album only
4 Weep And Cry 10:16 44.1/16 Album only
5 Flowers All Over 7:37 44.1/16 Album only
6 Resonance 7:08 44.1/16 Album only
7 Old Ballad 8:54 44.1/16 Album only
Album 2
1 Source 11:11 44.1/16 Album only
2 Light Lines 6:14 $1.49 Buy
3 Criterium 5:53 $1.49 Buy
4 Lonesome Defender 7:20 44.1/16 Album only
5 Horizons 9:44 44.1/16 Album only
6 Hope 8:56 44.1/16 Album only
7 Sunset 3:31 $1.49 Buy

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The first CD issue of music from Manfred Schoof’s three ECM/Japo albums of the 1970s – “Scales”, “Light Lines”, and “Horizons”. “Resonance” is the German trumpeter’s personal compilation of his favourite music from this era, released as two CD set. Schoof’s quintet was a highly regarded band on the European scene of the 1970s, and the “Scales” LP won the German Critics Prize as Album of the Year (Grosser Deutscher Schallplattenpreis 1977). At the time, both Schoof and frontline partner Michel Pilz were also members of Alex Schlippenbach’s freewheeling Globe Unity Orchestra (indeed Schoof still plays with the GUO periodically) and also recorded for ECM/Japo with that formation (see the albums “Improvisations” and “Compositions”).


The blueprint for the quintet was to re-integrate lessons learned in free playing into melodically-intense small group jazz. Manfred Schoof “The 1970s, when these recordings were made, gave many musicians the opportunity to expand a scale of musical expression that originated from the free jazz of the 1960s. This led to a new kind of playing that did not hesitate to use and combine different means of expression – a process exemplified by the present recordings. The music on these CDs is contemporary and free in the best sense of these words; more so, it is timeless. Here the term “free” not only stands for a specific style of jazz that, in its beginnings, opposed with revolutionary gesture everything redolent of the past and reminiscent of tradition but rather the freedom to choose between a multitude of very different means of expression. Tradition, therefore, is viewed as a past experience that merges with and enriches a new style of sound.”

Schoof showcased some exceptional talent in his band. Michel Pilz was, in the era, the only European improviser who had committed himself exclusively to the bass clarinet. Inspired initially by Eric Dolphy, he developed his own distinctive sound, playing inside the ensemble textures as well as soloing with energy and imagination. Günter Lenz and Ralf R. Hübner helped to define the direction of modern jazz in Germany. Both bassist and drummer were members of Albert Mangelsdorff’s pioneering groups of the 1960s and their detailed interaction is crucial to the buoyancy of the Schoof quintet sound. Lenz can also be heard on ECM with the Berlin Contemporary Jazz Orchestra, Hübner with Eberhard Weber on “The Colours of Chloe” and “Chorus”. Together, for decades, they powered the rhythm section of the Jazzensemble des Hessischen Rundfunks – see the ECM album “Atmospheric Conditions Permitting”.

The pianists in the Schoof group were players of the next generation. Dutch keyboardist Jasper van’t Hof came to Schoof after playing with Pierre Courbois’s Association PC and the collective Pork Pie, which also included Charlie Mariano and Philip Catherine, in a time when rock and jazz were influencing each other.

Reviews
This is a very welcome reissue, complete with extensive photographic documentation, of some of the most lucidly conceived and atmospherically unfolding music I remember hearing in the late 70s. - Michael Tucker, Jazz Journal/Jazz Review