Sarajevo Blues

Available in 44.1kHz/16bit

Buy Album
Album Name Length Format Sample Rate Price
Sarajevo Blues 44:31 $11.98
Buy Individual Tracks
# Track Title Length Format Sample Rate Price
1 Viva Orduenya [Charming Hostess] 4:39 $1.49 Buy
2 Si Veriash La Rana [Charming Hostess] 1:56 $1.49 Buy
3 War [Charming Hostess] 2:44 $1.49 Buy
4 The Tunnel [Charming Hostess] 4:59 $1.49 Buy
5 Imam Bey's Mosque [Charming Hostess] 2:57 $1.49 Buy
6 Exodus [Charming Hostess] 2:59 $1.49 Buy
7 Expulsion [Charming Hostess] 0:52 $1.49 Buy
8 What Will You Remember [Charming Hostess] 3:57 $1.49 Buy
9 Grbavica [Charming Hostess] 1:47 $1.49 Buy
10 Death Is A Job [Charming Hostess] 3:16 $1.49 Buy
11 A Relatively Calm Day [Charming Hostess] 2:50 $1.49 Buy
12 Zenica Blues [Charming Hostess] 4:14 $1.49 Buy
13 Open Dialogue [Charming Hostess] 0:48 $1.49 Buy
14 Adam [Charming Hostess] 3:12 $1.49 Buy
15 Aish Ye K'dish [Charming Hostess] 3:21 $1.49 Buy

Price as configured: $11.98

* Required Fields

Following up on the enormous success of her Trilectic release from 2000, Jewlia Eisenberg has again fashioned a remarkable program of a cappella vocal and instrumental music on socio-political themes—themes that Jews think about, maybe even obsess about, from genocide and the nature of evil to freedom under extreme restraints and the response of art to all of these conditions. Influences as varied as eastern European folk, contemporary classical, hard rock, jazz, gypsy and Jewish music mesh seamlessly in Jewlia's boldly original compositional voice. Featuring her all-star band, Charming Hostess, Sarajevo Blues is an exciting new release by one of the most prolific and creative women working in new music today.

Nils Frykdahl: Nylon Oud, Voice
Carla Kihlstedt: Violin
Dan Rathbun: Bass
Wesley Anderson: Drums
Tim Barsky: Beatbox
Devin Hoff: Double Bass
Yoav Klein: Bassoons
Juliet Lee: Drums
Ishay Sommer: Guitars, Electronics
Roy Yarkoni: Keyboards

Charming Hostess
Jewlia Eisenberg: Voice, Harmonium
Marika Hughes: Voice, Cello
Cynthia Taylor: Voice

It's kind of Le Mystere Des Voix Bulgares meets Zap Mama meets Tom Tom Club. For examples of the Zap Mama influence, one need go no further than "War" and "Grbavica" which both ooze with oral percussion effects. This continues on "Death Is A Job" which is paradoxically a funky upbeat acapella jam session.. “ Eric Iverson