Schubert: Lieder Vol. 1 (2011 - Remaster)

Available in Audiophile 96kHz/24bit

Buy Album
Album Name Length Format Sample Rate Price
Schubert: Lieder Vol. 1 (2011 - Remaster) 39:19 $17.98
Buy Individual Tracks
# Track Title Length Format Sample Rate Price
1 Der Wanderer an den Mond, D.870 2:21 96/24 Album only
2 Uber Wildemann, D.884 2:00 96/24 Album only
3 Der Einsame, D.800 4:30 96/24 Album only
4 Auflosung, D.807 2:30 96/24 Album only
5 Der Kreuzzug, D.932 3:52 96/24 Album only
6 Totengrabers Heimweh, D.842 5:36 96/24 Album only
7 Nachtviolen, D.752 3:02 96/24 Album only
8 Schwanengesang D957: No. 3: Fruhlingssehnsucht 1:59 96/24 Album only
9 Geheimes, D.719 1:51 96/24 Album only
10 Rastlose Liebe, D.138 1:20 96/24 Album only
11 Schwanengesang D957: No. 1: Liebesbotschaft 2:43 96/24 Album only
12 Im Abendrot, D.799 4:31 96/24 Album only
13 Schwanengesang D957: No. 7: Abschied 3:04 96/24 Album only

Price as configured: $17.98

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© 2012 EMI Records Ltd.
℗ 1955 The copyright in this sound recording is owned by EMI Records Ltd. Digital remastering ℗ 2011 by EMI Records Ltd.


German baritone Dietrich Fischer-Dieskau is joined by Gerald Moore for this landmark recording of Schubert’s Lieder. The album finds the pair at their prime, performing with intelligence and unmatched musicality.

About the Mastering
Four engineers at Abbey Road Studios in London have remastered these historic EMI recordings from their original analogue sources for release in pristine hi-def. Between them, Simon Gibson, Ian Jones, Andy Walter and Allan Ramsay have many years of experience remastering archive recordings for EMI and other record labels. The process always starts with finding all of the records and tapes in EMI's archive in London and comparing different sources and any previous CD reissues. We consult each recording's job file, which contains notes about the recording made by the engineer and producer. For example, this sometimes explain why there is more than one set of tapes to choose from. All of the tapes are generally in good condition and we play them on our Studer A80 π inch tape machine, after careful calibration of its replay characteristics.

In order to have the best digital remastering tools at our disposal for the remastering, we transfer from analogue to the digital domain at 96 KHz and 24-bit resolution using a Prism ADA-8 converter and capture the audio to our SADiE Digital Audio Workstation.

Simon Gibson, January 2012