SCHUBERT: Mass No. 6 in E flat major / Stabat Mater

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Album Name Length Format Sample Rate Price
SCHUBERT: Mass No. 6 in E flat major / Stabat Mater 52:48 $11.98
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# Track Title Length Format Sample Rate Price
1 Agnus Dei: Dona nobis pacem (Mass No. 6 in E flat major, D. 950 ) 5:04 44.1/16 Album only
2 Agnus Dei: Agnus Dei, qui tolis peccata mundi (Mass No. 6 in E flat major, D. 950 ) 3:37 44.1/16 Album only
3 Agnus Dei: Dona nobis pacem (Mass No. 6 in E flat major, D. 950 ) 3:41 44.1/16 Album only
4 Agnus Dei: Agnus Dei, qui tolis peccata mundi (Mass No. 6 in E flat major, D. 950 ) 0:50 44.1/16 Album only
5 Benedictus: Osanna in excelsis (Mass No. 6 in E flat major, D. 950 ) 3:40 44.1/16 Album only
6 Benedictus: Benedictus qui venit (Mass No. 6 in E flat major, D. 950 ) 2:29 44.1/16 Album only
7 Sanctus: Osanna in excelsis (Mass No. 6 in E flat major, D. 950 ) 5:33 44.1/16 Album only
8 Sanctus: Sanctus Dominus (Mass No. 6 in E flat major, D. 950 ) 6:00 44.1/16 Album only
9 Credo: Et resurrexit (Mass No. 6 in E flat major, D. 950 ) 2:03 44.1/16 Album only
10 Credo: Et incarnatus est (Mass No. 6 in E flat major, D. 950 ) 1:04 44.1/16 Album only
11 Credo: Credo in unum Deum (Mass No. 6 in E flat major, D. 950 ) 4:11 44.1/16 Album only
12 Gloria: Cum Sancto Spiritu (Mass No. 6 in E flat major, D. 950 ) 1:04 44.1/16 Album only
13 Gloria: Quoniam tu solus sanctus (Mass No. 6 in E flat major, D. 950 ) 3:37 44.1/16 Album only
14 Gloria: Domine Deus (Mass No. 6 in E flat major, D. 950 ) 2:05 44.1/16 Album only
15 Gloria: Gloria in excelsis Deo (Mass No. 6 in E flat major, D. 950 ) 0:50 44.1/16 Album only
16 Kyrie (Mass No. 6 in E flat major, D. 950 ) 1:24 44.1/16 Album only
17 Stabat Mater in G minor, D. 175 [Stabat mater in G minor, D. 175] 5:36 $1.49 Buy

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One of a remarkable series of works Schubert wrote in his final year, Mass No. 6 in E flat lay unperformed until a year after his death. With an unusually prominent part for trombones, this is a powerful and disquieting masterpiece, reconciling the liturgical grandeur and monumentality of the vast fugues that end the Gloria and Credo, with the composer's natural lyricism and daring chromatic digressions.