Schubert: Symphony No. 8 - Haydn: Symphony No. 104 (2011 - Remaster)

Available in Audiophile 96kHz/24bit

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Album Name Length Format Sample Rate Price
Schubert: Symphony No. 8 - Haydn: Symphony No. 104 (2011 - Remaster) 51:18 $17.98
Buy Individual Tracks
# Track Title Length Format Sample Rate Price
1 Symphony No. 8 in B Minor, D.759 'Unfinished': I. Allegro moderato 11:58 96/24 Album only
2 Symphony No. 8 in B Minor, D.759 'Unfinished': II. Andante con moto 13:43 96/24 Album only
3 Symphony No. 104 in D 'London': Adagio-Allegro 7:23 96/24 Album only
4 Symphony No. 104 in D 'London': Andante 8:59 96/24 Album only
5 Symphony No. 104 in D 'London': Menuet 4:25 96/24 Album only
6 Symphony No. 104 in D 'London': Spiritoso 4:50 96/24 Album only

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© 2012 EMI Records Ltd
℗ 1976 The copyright in this sound recording is owned by EMI Records Ltd. Digital remastering ℗ 2011 by EMI Records Ltd.


THIS ALBUM DOWNLOAD FEATURES HIGH RESOLUTION COVER ART ONLY. LINER NOTES ARE NOT AVAILABLE.

Orchestra: Berlin Philharmonic Orchestra
Conductor: Herbert von Karajan

Esteemed conductor Herbert von Karajan and the Berlin Philharmonic Orchestra interpret two masterworks by legendary composers, Schubert and Haydn. Karajan brings out a phenomenal performance from the orchestra bearing all of his trademark clarity and precision. The recording is a landmark set for both Herbert von Karajan and the Berlin Philharmonic Orchestra.

About the Mastering
Four engineers at Abbey Road Studios in London have remastered these historic EMI recordings from their original analogue sources for release in pristine hi-def. Between them, Simon Gibson, Ian Jones, Andy Walter and Allan Ramsay have many years of experience remastering archive recordings for EMI and other record labels. The process always starts with finding all of the records and tapes in EMI's archive in London and comparing different sources and any previous CD reissues. We consult each recording's job file, which contains notes about the recording made by the engineer and producer. For example, this sometimes explain why there is more than one set of tapes to choose from. All of the tapes are generally in good condition and we play them on our Studer A80 π inch tape machine, after careful calibration of its replay characteristics.

In order to have the best digital remastering tools at our disposal for the remastering, we transfer from analogue to the digital domain at 96 KHz and 24-bit resolution using a Prism ADA-8 converter and capture the audio to our SADiE Digital Audio Workstation.

Simon Gibson, January 2012