Schubert: Wanderers Nachtlied

Available in Audiophile 96kHz/24bit

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Album Name Length Format Sample Rate Price
Schubert: Wanderers Nachtlied 2:10:25 $30.98
Buy Individual Tracks
# Track Title Length Format Sample Rate Price
Album 1
1 An die untergehende Sonne, D. 457 6:38 96/24 Album only
2 Der Tod und das Madchen, D. 531 2:24 96/24 Album only
3 Die Rose, D. 745 3:11 96/24 Album only
4 Erinnerung (Totenopfer), D. 101 2:18 96/24 Album only
5 Litanei, D. 343 7:54 96/24 Album only
6 Auf dem Wasser zu singen, D. 774 3:52 96/24 Album only
7 Abendbilder, D. 650 5:21 96/24 Album only
8 Nach einem Gewitter, D. 561 2:10 96/24 Album only
9 Der Zwerg, D. 771 5:29 96/24 Album only
10 Im Fruhling, D. 882 4:19 96/24 Album only
11 Die Blumensprache, D. 519 2:05 96/24 Album only
12 Viola, D. 786 13:34 96/24 Album only
13 An die Entfernte, D. 765 2:53 96/24 Album only
14 Bei dir allein, D. 866-2 2:04 96/24 Album only
15 Ganymed, D. 544 4:21 96/24 Album only
Album 2
1 Wanderers Nachtlied, D. 768 2:27 96/24 Album only
2 Schafers Klagelied, D. 121 3:56 96/24 Album only
3 Heidenroslein, D. 257 1:56 96/24 Album only
4 Rastlose Liebe, D. 138 1:19 96/24 Album only
5 An den Mond, D. 259 5:58 96/24 Album only
6 Trost in Tranen, D. 120 4:10 96/24 Album only
7 Erster Verlust, D. 226 2:12 96/24 Album only
8 Der Musensohn, D. 764 2:01 96/24 Album only
9 Geheimes, D. 719 1:44 96/24 Album only
10 Versunken, D. 715 2:02 96/24 Album only
11 An Schwager Kronos, D. 369 2:54 96/24 Album only
12 Geisternahe, D. 100 4:28 96/24 Album only
13 Das war ich, D. 174 2:49 96/24 Album only
14 Das Rosenband, D. 280 1:41 96/24 Album only
15 Furcht der Geliebten, D. 285 2:01 96/24 Album only
16 An Sie, D. 288 2:42 96/24 Album only
17 Die Liebe hat gelogen, D. 751 2:33 96/24 Album only
18 Lachen und Weinen, D. 777 1:46 96/24 Album only
19 Dass sie hier gewesen, D. 775 3:52 96/24 Album only
20 Der Einsame, D. 800 4:10 96/24 Album only
21 Die Sterne, D. 684 5:14 96/24 Album only

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℗ © 2014 Harmonia Mundi

Disc 1
Matthias Goerne, baritone
Helmut Deutsch, piano

Disc 2
Matthias Goerne, baritone
Eric Schneider, piano 

Barely eighteen months elapsed between the death of Ludwig van Beethoven and that of Franz Schubert. The former was fifty-six, the latter thirty-one. Schubert learnt of the death of his elder, or rather his god, as he was completing the composition of the first book of Winterreise, the work which according to his entourage drove him to so early a grave. Beethoven’s death, though not unexpected, nonetheless left him in despair. But it was precisely Winterreise that set him to work once more, when he discovered the continuation of Wilhelm Müller’s poems. It is likely that something came to an end in Schubert’s life when he had completed this journey through snow and ice. An exhaustion of his vital forces, but certainly not his creative forces. All through the year 1828, Schubert composed for as long as he could, garnering a positively unreal harvest of masterpieces: the two piano trios, the Impromptus, the Mass in E flat, the Quintet with two cellos, the last three piano sonatas, and, as always, a constant stream of lieder. After his death, his brother Ferdinand and the publisher Haslinger assembled fourteen of these and issued them under the name of Schwanengesang – seven settings of poems by Rellstab, six by Heinrich Heine, and one by Johann Gabriel Seidl. This does not in any sense form a cycle comparable to his two earlier ones, but it does show the unprecedented and amazingly diverse riches of Schubert’s last creative period.