South To A Warmer Place

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Album Name Length Format Sample Rate Price
South To A Warmer Place 1:06:19 $11.98
Buy Individual Tracks
# Track Title Length Format Sample Rate Price
1 The Touch Of Your Lips [Meredith d'Ambrosio] 02:25 $1.49 Buy
2 I Can Dream Can't I [Meredith d'Ambrosio] 03:46 $1.49 Buy
3 't' Ain't No Use [Meredith d'Ambrosio] 03:08 $1.49 Buy
4 Dream Dancing [Meredith d'Ambrosio] 04:51 $1.49 Buy
5 He Was Good To Me [Meredith d'Ambrosio] 04:57 $1.49 Buy
6 You're My Inspiration [Meredith d'Ambrosio] 04:09 $1.49 Buy
7 Someday I'll Find You [Meredith d'Ambrosio] 03:28 $1.49 Buy
8 Morning [Meredith d'Ambrosio] 05:34 $1.49 Buy
9 You Better Go Now [Meredith d'Ambrosio] 04:08 $1.49 Buy
10 My Shining Hour [Meredith d'Ambrosio] 02:47 $1.49 Buy
11 Nightingale [Meredith d'Ambrosio] 04:45 $1.49 Buy
12 You Are The Life Of Me [Meredith d'Ambrosio] 03:00 $1.49 Buy
13 Everything I Love [Meredith d'Ambrosio] 03:00 $1.49 Buy
14 More Than You Know [Meredith d'Ambrosio] 04:47 $1.49 Buy
15 When A Woman Loves A Man [Meredith d'Ambrosio] 03:59 $1.49 Buy
16 Tristeza De Amar [Meredith d'Ambrosio] 04:56 $1.49 Buy
17 South To A Warmer Place [Meredith d'Ambrosio] 02:39 $1.49 Buy

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"Through its use by record industry flacks to describe every new rapper, three-chord guitarist or teenager screaming descriptions of the sex act, the word 'artist' as applied to music has been, shall we say, devalued. In an earlier phase of its evolution it meant a person who used aesthetic principles to produce something beautiful, appealing and extraordinary. Meredith dAmbrosio is an artist in the pre-merchandising sense. Intelligence. Taste. Restraint. Subtlety. Insinuation. Harmonic sensibility. Voice production that seems effortless. Purity of intonation. Flawless diction, timing and phrasing. These are the aesthetic principles employed by Ms. d'Ambrosio in her wizardry of interpretation. When she merely sings the melody, which is often the case, she finds depths of meaning that can be discovered only by a true artist. . . This singer's work is full of small, brilliant joys and surprises. . . At the end of 'More Than You Know', she invents a harmonic sequence worthy of Dizzy at his slyest. Ms. d'Ambrosio's vibrato is used as sparingly as her harmonic knowledge, never for show, only when it somehow advances the music, as in her phrase endings in Clare Fischer's 'Morning'. There are, in this album, dozens of such examples of her musicianship. But what will strike the unanalytical listener is the sheer, natural beauty of the singing... " - Jazz Times