Urban Concertos

Available in Audiophile 88kHz/24bit & 44.1kHz/16bit

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Album Name Length Format Sample Rate Price
Urban Concertos 1:09:35 $11.98
Buy Bundles
# Track Title Length Format Sample Rate Price
Concerto For Piano and Orchestra $5.98 Buy
Concerto For Orchestra $5.98 Buy
Concerto For Bassoon And Orchestra $5.98 Buy
Buy Individual Tracks
# Track Title Length Format Sample Rate Price
1 Concerto For Piano And Orchestra, Movement 1 [David Chesky] [David Chesky] 8:26 44.1/16 Album only
2 Concerto For Piano And Orchestra, Movement 2 [David Chesky] [David Chesky] 8:10 44.1/16 Album only
3 Concerto For Piano And Orchestra, Movement 3 [David Chesky] [David Chesky] 7:10 44.1/16 Album only
4 Concerto For Orchestra, Movement 1 [David Chesky] [David Chesky] 8:55 44.1/16 Album only
5 Concerto For Orchestra, Movement 2 [David Chesky] [David Chesky] 4:39 $1.49 Buy
6 Concerto For Orchestra, Movement 3 [David Chesky] [David Chesky] 10:20 44.1/16 Album only
7 Concerto For Bassoon And Orchestra, Movement 1 [David Chesky] [David Chesky] 7:36 44.1/16 Album only
8 Concerto For Bassoon And Orchestra, Movement 2 [David Chesky] [David Chesky] 8:17 44.1/16 Album only
9 Concerto For Bassoon And Orchestra, Movement 3 [David Chesky] [David Chesky] 6:02 $1.49 Buy

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℗ © 2006 Chesky Records 

David Chesky's upcoming work-which includes the Concerto for Piano and Orchestra; the Concerto for Orchestra; along with the Concerto for Bassoon and Orchestra-heralds a new form of American urban music from the streets of New York. It marries jazz, funk, Latin and other popular styles with orchestral forms popularized by Stravinsky, Bartók and others. "Many people ask me, 'Why do you use jazz in your orchestral music?' The real question is, 'Why shouldn't any American composer use jazz in their music?'" Chesky writes in the liner notes. "After all, we are a jazz nation. Jazz is our indigenous art form." Latin and jazz rhythms have always been a constant in Chesky's canon and his forthcoming work will be no exception. "I like to transform the orchestra into a great big rhythm machine," he writes.

"The orchestra itself becomes an extended percussion ensemble. There are always spaces in the orchestrations for the funk, jazz and Latin lines to sound through. It is a sort of urban pointillism-many note vectors coming at you at different times fitting together like a puzzle." Celebrated young Bulgarian conductor Rossen Gergov handles baton duties, while featured soloists include Swedish pianist Love Derwinger and Estonian virtuoso bassoon player Martin Kuuskmann. "The key to performing this music is that the orchestra sections must be in lock step with each other so that the rhythmic texture will be palpable," Chesky adds. "The music is like a finely tuned sports car that turns on a dime; it needs the orchestra players to synchronize precisely with each other. Rhythm is the key." 

Recorded June 12-17, 2006 at the Concert Hall of the Norrlands Opera in Umeå, Sweden

Love Derwinger - Piano
Martin Kuuskmann - Bassoon
The Symphony Orchestra of Norrlands Opera
Rossen Gergov - Conductor 

Produced by David Chesky

Executive Producer: Norman Chesky, Susan Mufson

Assistant producer: Stefan Thysk, Hanna Bergner

Production Assistant: Christer Engström

Project Coordination: Theodore Thimou

Session Assistant: Eugene McBride

Recorded, edited and mastered by Nicholas Prout 

This entire recording was done with one SoundField microphone.

This album was made with the purest audio path, using the very best microphones, mic preamps, analog-to-digital converters, recorders, and cables with careful attention to detail to produce the most transparent and natural sound available today.


Reviews
These are superbly crafted and involving compositions that deserve our undivided attention. - Andrew Quint, The Absolute Sound Magazine